The Correspondent, starring Richard Roxborough as the jailed journalist Peter Greste. Photo: supplied
In 1979, Sam Neill appeared in an Australian comedy movie about hacks on a Sydney newspaper.
The Journalist was billed as "a saucy, sexy, funny look at a man with a nose for scandal and a weakness for women".
That would probably not fly these days - but as a rule, movies about Australian journalists are no laughing matter.
Back in 1982, a young Mel Gibson starred as a foreign correspondent who was dropped into Jakarta during revolutionary chaos in The Year of Living Dangerously. The 1967 events the movie depicted were real enough, but Mel Gibson's correspondent Guy Hamilton was made up for what was essentially a romantic drama.
There was no romance and a lot more real life 25 years later in Balibo, another movie with Australian journalists in harm's way during Indonesian upheaval.
Anthony La Paglia had won awards for his performance as Roger East, a journalist killed in what was then East Timor - now Timor Leste - in December 1975. East was killed while investigating the fate of five other journalists - including New Zealander Gary Cunningham - who was killed during the Indonesian invasion two months earlier.
Actor Richard Roxburgh as jailed journalist Peter Greste in The Correspondent, alongside Al Jazeera colleagues Mohammed Fahmy and Baher Mohammed. Photo: supplied
The Correspondent has a happier ending but is still a tough watch - especially for its subject.
I first met Peter Greste in newsrooms in London about 30 years ago. He had worked for Reuters, CNN, and the BBC - going on to become a BBC correspondent in Afghanistan. He later reported from Belgrade, Santiago, and then Nairobi, from where he appeared regularly on RNZ's Nine to Noon as an African news correspondent. Greste later joined the English-language network of the Doha-based Al Jazeera and became a worldwide story himself while filling in as the correspondent in Cairo.
Greste and two Egyptian colleagues, Baher Mohamed and Mohamed Fahmy, were arrested in late 2013 on trumped-up charges of aiding and abetting the Muslim Brotherhood, an organisation labeled 'terrorist' by the new Egyptian regime of the time. Six months later he was sentenced to seven years in jail for falsifying news and smearing the reputation of Egypt itself. Mohamed was sentenced to ten years.
Media organisations launched an international campaign for their freedom with the slogan "Journalism is not a crime". Peter's own family became familiar faces in the media while working hard for his release too.
Peter Greste was deported to Australia in February 2015. The deal stated he would serve the rest of his sentence there, but the Australian government did not enforce that. Instead, Greste became a professor of media and journalism, currently at Macquarie University in Sydney.
Among other things, he has also been a consultant on The Correspondent - now in cinemas around New Zealand - with Richard Roxborough cast as Greste himself.
Greste told the Sydney Morning Herald he had to watch it "through his fingers" at first.
"I eventually came to realise it's not me that's up there on the screen. It's the product of a whole bunch of creatives. And the result is ... more like a painting rather than a photograph," Greste told Mediawatch.
"Over the years I've written about it, I've spoken about it countless times. I've built a career on it. But I wasn't really anticipating the emotional impact of seeing the craziness of my arrest, the confusion of that period, the claustrophobia of the cell, the sheer frustration of the crazy trial and the really discombobulating moment of my release.
"But there is another very difficult story about what happened to a colleague of mine in Somalia, which I haven't spoken about publicly. Seeing that on screen was actually pretty gut-wrenching."
In 2005, his BBC colleague Kate Peyton was shot alongside him on their first day in on assignment in Somalia. She died soon after.
"That was probably the toughest day of my entire life far over and above anything I went through in Egypt. But I am glad that they put it in [The Correspondent]. It underlines ... the way in which journalism is under attack. What happened to us in Egypt wasn't a random, isolated incident - but part of a much longer pattern we're seeing continue to this day."
Supporters of the jailed British-Egyptian human rights activist Alaa Abd el-Fattah take part in a candlelight vigil outside Downing Street in London, United Kingdom as he begins a complete hunger strike while world leaders arrive for COP27 climate summit in Sharm el-Sheikh, Egypt. Photo: AFP
Greste says he "owes his life" to fellow prisoner Alaa Abd El-Fattah - an Egyptian activist who is also in the film.
"There's a bit of artistic license in the way it was portrayed but ... he is easily one of the most intelligent, astute and charismatic humanitarians I've ever come across. He was one of the main pro-democracy activists who was behind the Arab Spring revolution in 2011 - a true democrat.
"He also inspired me to write the letters that we smuggled out of prison that described our arrest not as an attack on ... what we'd actually come to represent. And that was press freedom.
"That helped frame the campaign that ultimately got me out. So, for both psychological and political reasons, I feel like I owe him my life.
"There was nothing in our reporting that confirmed the allegations against us. So I started to drag up all sorts of demons from the past. I started thinking maybe this is the universe punishing me for sins of the past. I was obviously digging up that particular moment as one of the most extreme and tragic moments. It took a long time for me to get past it.
"He'd been in prison a lot because of his activism, so he understood the psychology of it. He also understood the politics of it in ways that I could never do as a newcomer."
"Unfortunately, he is still there. He should have been released on September 29th last year. His mother launched a hunger strike in London . . . so I actually joined her on hunger strike earlier this year to try and add pressure.
"If this movie also draws a bit of attention to his case, then I think that's an important element."
Another wrinkle in the story was the situation of his two Egyptian Al Jazeera colleagues.
Greste was essentially a stranger to them, having only arrived in Egypt shortly before their arrest.
The film shows Greste clashing with Fahmy, who later sued Al Jazeera. Fahmy felt the international pressure to free Greste was making their situation worse by pushing the Egyptian regime into a corner.
"To call it a confrontation is probably a bit of an understatement. We had some really serious arguments and sometimes they got very, very heated. But I want audiences to really understand Fahmy's worldview in this film.
"He and I had very different understandings of what was going ... and how those differences played out.
"I've got a hell of a lot of respect for him. He is like a brother to me. That doesn't mean we always agreed with each other and doesn't mean we always got on with each other like any siblings, I suppose."
His colleagues were eventually released on bail shortly after Greste's deportation in 2015.
Fahmy renounced his Egyptian citizenship and was later deported to Canada, while Mohamed was released on bail and eventually pardoned.
"After I was released there was a retrial ... and we were all reconvicted. They were finally released and pardoned, but the pardon didn't extend to me.
"I can't go back because I'm still a convicted terrorist and I still have an outstanding prison sentence to serve, which is a little bit weird. Any country that has an extradition treaty with Egypt is a problem. There are a fairly significant number of those across the Middle East and Africa."
Greste told Mediawatch his conviction was even flagged in transit in Auckland en route from New York to Sydney. He was told he failed a character test.
"I was able to resolve it. I had some friends in Canberra and were able to sort it out, but I was told in no uncertain terms I'm not allowed into New Zealand without getting a visa because of that criminal record.
"If I'm traveling to any country I have to say ... I was convicted on terrorism offences. Generally speaking, I can explain it, but it often takes a lot of bureaucratic process to do that."
Greste's first account of his time in jail - The First Casualty - was published in 2017. Most of the book was about media freedom around the world, lamenting that the numbers of journalists jailed and killed increased after his release.
Something that Greste also now ponders a lot in his current job as a professor of media and journalism.
Ten years on from that, it is worse again. The Committee to Protect Journalists says at least 124 journalists and media workers were killed last year, nearly two-thirds of them Palestinians killed by Israel in its war in Gaza.
The book now been updated and republished as The Correspondent.
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